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RICHARD DEUTSCH |
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Swanton Road Davenport, California 95017 • 831.427.2529 |
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BIOGRAPHY |
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AWARDS
AND HONORS |
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1992 |
American
Institute of Architects and Landscape Architects, East Bay,
Orchid Award for Voyage sculpture at City Center, Oakland, California |
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1987 |
Visiting
Sculptor, American Academy, Rome, Italy |
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1984 |
National
Endowment for the Arts Visual Artist’s Fellowship |
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SELECTED
PUBLIC ART PROJECTS |
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2005 |
Francis
Newlands Johnston Park and William Sharon Farr Park, Chevy Chase
Center, Washington, D.C.: Art environment centered
around water features for two urban plazas. Collaboration with
William K. Hellmuth, AIA, senior principal, Suzette Goldsterin,
AICP, Hellmuth, Obata+Kassabaum, P.C., and Don Hoover, principal,
Oculus Landscape Architecture. Art adviser: Françoise
Yohalem, Bethesda, Maryland. Commissioned by the Chevy Chase
Land Company. |
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2005
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Congregation
Shir Hadash, Los Gatos, California
Memorial sanctuary is a serene focal point for temple Congregants
to remember, honor and celebrate family, friends and generations
past. 70 vertical granite monoliths, which display prayers and
names of loved ones, define an outdoor “room.” A
water feature brings life to the Memorial’s interior and
granite seating is set throughout. The design was a collaboration
with artist Larry Kirkland. Commissioned by Congregation Shir
Hadash. |
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1999 |
Oakmead
West, Sunnyvale, California: Sculpture and environment
Etude for entry to high-technology campus. Art adviser: Cathy
Baum and Associates, Atherton, California. Commissioned by CarrAmerica
Realty Corporation, Washington, D.C. |
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1998 |
California
Science Center, Los Angeles, California
Interactive water feature Water Story for the museum’s
central plaza. Part of a larger public art installation created
by the artist Larry Kirkland. Commissioned by Larry Kirkland,
Washington, D.C. |
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1996 |
Stanford
University, Terman & Thornton Schools of Engineering
Sculptural environment Axis. Collaboration with the architects
William Leddy and Marsha Maytum, AIA, principals, Tanner Leddy
Maytum Stacy, San Francisco, and the landscape architect Peter
Walker, Peter Walker and Partners, Berkeley, California. Commissioned
by Stanford University. |
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1994 |
Oakland
Museum of California, Oakland, California
Harvest. Commissioned for the museum’s twenty-fifth anniversary
by Friends of the Oakland Museum of California. |
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1991 |
City
Center, Oakland, California
Member of design team engaged to integrate art into 1111 Broadway’s
plazas and gardens. Unity, two granite sculptures; Voyage, a
solid bronze wall relief, nine granite benches, a granite footpath,
and a water feature. Collaboration with architects from Gensler
& Associates, San Francisco, and the landscape architect
Paul Lettieri, of Guzzardo and Partners, San Francisco, California.
Commissioned by Glenn Isaacson, Bramalea Paci€c, Oakland, California. |
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1989 |
Port
of Oakland, Oakland, California
Motion, wall relief; Lean, stone sculpture and stone seating.
Collaboration on lobby design with Bill Donald, AIA, I.D.G.
Architects, Oakland, California. Commissioned by Oakland Portside
Associates, Oakland, California. |
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1988 |
San
Francisco Arts Commission, Art in Public Places Program
Propeller, terrazzo artwork for Great Seawall Promenade. Commissioned
by the City of San Francisco. |
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1987 |
Washington
State Arts Commission, Art in Public Places Program
Stele, marble sculpture for Shelton Police Academy, Shelton,
Washington. Purchased by the Washington State Arts Commission. |
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SOLO
EXHIBITIONS |
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1977 |
Craft &
Folk Art Museum, Los Angeles, California |
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1977 |
Long Beach
Museum of Art, Long Beach, California |
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1979 |
Foster
White Gallery, Seattle, Washington |
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1984 |
Foster
White Gallery, Seattle, Washington |
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1984 |
B. Z. Wagman
Gallery, St. Louis, Missouri |
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1989 |
Louise
Allrich Gallery, San Francisco, California |
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1990 |
Louise
Allrich Gallery, San Francisco, California |
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1993 |
Oakland
Museum Sculpture Court, Oakland, California |
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1997 |
Foster
White Gallery, Seattle, Washington |
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2001 |
Gerald
Peters Gallery, Santa Fe, New Mexico |
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2002 |
Museum
of Art and History, Santa Cruz, California |
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2005 |
Gerald
Peters Gallery, Santa Fe, New Mexico |
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SELECTED
GROUP EXHIBITIONS |
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1980 |
American
Porcelain: New Directions in an Ancient Art, Renwick
Gallery, Smithsonian Institution, Washington, D.C. |
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1982 |
Pacific
Currents, San Jose Museum of Art, San Jose, California |
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1983
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Contemporary
Expressions, San Jose Institute of Contemporary Art,
San Jose, California |
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1988 |
Bay
Area Sculpture: Metal, Stone, Wood,
Palo Alto Cultural Center, Palo Alto, California |
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1995 |
Light
Interpretations, The Jewish Museum, San Francisco,
California |
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1995 |
Concept
in Form: Artists’ Sketchbooks & Maquettes,
Palo Alto Cultural Center, Palo Alto, California |
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1999 |
The
Art of Craft: Contemporary Works from the Saxe Collection,
M. H. de Young Memorial Museum, San Francisco, California |
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2005
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Sculpture
and Prints, Gerald Peters Gallery, Santa Fe, New Mexico |
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SELECTED
PRIVATE COMMISSIONS |
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2002 |
Dorros
Family Residence, Jackson Hole, Wyoming
Integrated sculptural environment with granite focal sculptures
and table. |
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2000 |
Wornick
Family Vineyard, St. Helena, California
Seven Stones is a large granite abstract sculpture and environment
based on fragmented and re-assembled Italian ruins. |
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1999 |
Tillotson
Collection, Sandy, Utah
Integrated environment of focal sculpture, stone seating, stone
table. |
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1998 |
Gerald
Peters Gallery, Santa Fe, New Mexico
Sculptural seating for new gallery courtyard. |
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1996 |
Seiler
Collection, Atherton, California
Stacked Column, 12'H granite sculpture |
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1994 |
Staglin
Family Vineyard, Rutherford, California
Harvest Table, 18'L granite table for vineyard |
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1993 |
George
& Dorothy Saxe Collection, Menlo Park, California
Passage, 8' granite, terrazzo and marble sculpture |
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1992 |
Richard
& Rhoda Goldman Collection, Atherton, California
Harvest Table, 5' h. slate table |
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1990 |
Private
Collection, Nashville, Tennessee
Solstice is an environmental sculpture and seating of slate
based on the workings of an ancient sundial. |
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MUSEUM
COLLECTIONS |
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Henry
Art Gallery, University of Washington, Seattle, Washington |
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M.
H. de Young Memorial Museum, San Francisco, California |
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Oakland
Museum of California, Oakland, California
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Renwick
Gallery, Smithsonian Institution, Washington, D.C. |
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BIBLIOGRAPHY |
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Blasier,
Paula. Voyage: From Ship’s Propeller to Sculpture. Oakland,
Calif.: Bramalea Pacific, 1991. Includes a photo essay by Terence
McCarthy. |
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Broadrup,
Elizabeth. “Motion: Wall Relief at Port of Oakland.”
Sculpture Magazine (November/December 1990). |
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Burgard,
Timothy Anglin. The Art of Craft: Contemporary Works from the
Saxe Collection, exh. cat. San Francisco: The Fine Arts Museums
of San Francisco; Boston: Bul€nch Press/Little, Brown, 1999. |
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Clifton,
Leann. “An Oakland Odyssey.” Artweek (29 January
1992). |
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Fuhrman,
Janice. “A Napa Family Vineyard.” California Homes
Magazine (October 2000). Article about the Staglin Family Vineyard
art collection. |
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Guenther,
Bruce. Richard Deutsch Sculpture. Santa Cruz, California:
Museum of Art and History, 2001. 88-page catalog. |
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“Harvest.”
Sculpture Magazine (July/August 1995). Article on Deutsch’s
commission for the Oakland Museum of California. |
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Mayer,
Barbara. “Dream House for a Dream Collection.” Art
& Antiques (April 2000). Article about the Wornick family
art collection. |
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Misrach,
Myriam Weisang. “Ideas Beneath the Surface: Richard Deutsch.”
The Museum of California (magazine of the Oakland Museum of
California) (winter 1993). |
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Narain,
R. Kamna. “Public Art.” The Business Journal (October
1998). Article describing Deutsch’s project for Oakmead
West in Sunnyvale, California. |
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Suter,
P. “Integrating Art into Development.” Urban Land
Magazine (September 1991). |
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